Wet cyanotype

It's time for more wet cyanotype fun! Here's another batch of experimental prints using the wet cyanotype method of printing on fabric. If you are new here, welcome, and feel free to look back at the explanations in Part 1, Part 2, Part 3, and Part 4. I've also added a tab to to the blog header that will give you all the relevant posts in reverse chronological order. This time around I was working exclusively with cotton sateen that I treated myself with cyanotype solution. I spritzed a bit…

The original wet cyanotype method, as first invented by Krista McCurdy

The lockdown might be a cursed time for most of us analogue routine followers, but not for Lomographer Mandy Kerr, a.k.a. mjanekerr as she creates a one of a kind series of cyanotype prints, glittered kitchen condiments.

We got some sun last week, so I spent a bit of time outside doing some new art prints. I am a little bit giddy at how well these Wet Cyanotype prints came out. I was experimenting some more with some spray inks and love how the color remained on the prints in this set!

Explore Attila Pasek (Albums!)'s 4702 photos on Flickr!

Once you've explored classic cyanotype photograms, you may be interested in having even more fun with wet cyanotype painting.

I have been creating cyanotype prints on fabric since I learned about the process from Sue Reno in 2006. I enjoy the process and I feature cyanotype prints in many of my art quilts. I've used pre-treated cotton, raw silk, china silk and silk organza to create my prints. Each fabric features it's particular fingerprint