Francisco Lemus Borja

Francisco Lemus Borja

Coleccionista, audiófilo patológico, deportista, amante de la vida aire libre, fotógrafo, artísta contemplativo, neurótico redimido, patriota, soñador, cinéfilo
Francisco Lemus Borja
Más ideas de Francisco
Ohya Shobo bookshop is not very popular with tourists, as they specialize in books published during the Edo period. If you are a history buff or a lover of all things antique, this is the place for you. Ohya Shobo features a large collection of Japanese woodblock prints and illustrated books from the 18th and 19th centuries. Here you c

Ohya Shobo bookshop is not very popular with tourists, as they specialize in books published during the Edo period. If you are a history buff or a lover of all things antique, this is the place for you. Ohya Shobo features a large collection of Japanese woodblock prints and illustrated books from the 18th and 19th centuries. Here you c

Deng Shiru(邓石如)。 乾隆三十九年(1 7 7 4 年)他3 2 岁时,复至寿州教书,并常为寿春循理书院诸生刻印和以小篆书写扇面。深得书院主讲梁献(亳县人,以善摹李北海书名于世)赏识,遂推荐他到金陵(今南京)举人梅谬家学习。梅家既是宋 以来的望族,又是清康熙御赐翰墨珍品最多的家族,家藏“秘府异珍”和秦汉以后历代许多金石善本。石如纵观博览,悉心研习,苦下其功。在梅家8 年,前五年专攻篆书,后3 年学汉分。于四十七年他4 0 岁时,离开梅家,遍游各处名胜,临摹了大量的古人碑碣,锤炼了自己的书刻艺术,终于产生了“篆隶真行草”各体皆备、自成一家的大量作品。乾隆四十七年,他游黄山至歙县,结识了徽派著名金石学家方君任和溪南经学家程瑶田,及翰林院修撰、精于篆籀之学的金榜。

Deng Shiru(邓石如)。 乾隆三十九年(1 7 7 4 年)他3 2 岁时,复至寿州教书,并常为寿春循理书院诸生刻印和以小篆书写扇面。深得书院主讲梁献(亳县人,以善摹李北海书名于世)赏识,遂推荐他到金陵(今南京)举人梅谬家学习。梅家既是宋 以来的望族,又是清康熙御赐翰墨珍品最多的家族,家藏“秘府异珍”和秦汉以后历代许多金石善本。石如纵观博览,悉心研习,苦下其功。在梅家8 年,前五年专攻篆书,后3 年学汉分。于四十七年他4 0 岁时,离开梅家,遍游各处名胜,临摹了大量的古人碑碣,锤炼了自己的书刻艺术,终于产生了“篆隶真行草”各体皆备、自成一家的大量作品。乾隆四十七年,他游黄山至歙县,结识了徽派著名金石学家方君任和溪南经学家程瑶田,及翰林院修撰、精于篆籀之学的金榜。

Ad for Karlson speaker enclosures, which were probably the worst sounding designs ever successfully foisted onto the buying public.

Ad for Karlson speaker enclosures, which were probably the worst sounding designs ever successfully foisted onto the buying public.

Puentes sobre el Mapocho y sus alrededores,presuntamente a principios de siglo XX

“Reconocen este lugar? Puentes sobre el Mapocho y sus alrededores,presuntamente a principios de siglo XX