Interior Design

interior design trends worth noting
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a conference room with chairs and a large table
The New Malin Makes a Statement With Bold, Graphic Language
Roísín Lafferty's design for The Malin South Gulch opening in Nashville, Tennessee, is a wonderland of graphic forms and supersaturated hues.
a dining room table with chairs and a large painting on the wall in the background
The New Malin Makes a Statement With Bold, Graphic Language
Roísín Lafferty's design for The Malin South Gulch opening in Nashville, Tennessee, is a wonderland of graphic forms and supersaturated hues.
an office with tables, chairs and art work on the wall behind them in front of large windows
The New Malin Makes a Statement With Bold, Graphic Language
Roísín Lafferty's design for The Malin South Gulch opening in Nashville, Tennessee, is a wonderland of graphic forms and supersaturated hues.
there are many chairs and tables in the room with plants on top of each table
The New Malin Makes a Statement With Bold, Graphic Language
Roísín Lafferty's design for The Malin South Gulch opening in Nashville, Tennessee, is a wonderland of graphic forms and supersaturated hues.
an empty room with desks and chairs in front of large windows
The New Malin Makes a Statement With Bold, Graphic Language
Roísín Lafferty's design for The Malin South Gulch opening in Nashville, Tennessee, is a wonderland of graphic forms and supersaturated hues.
an empty office with desks and chairs
The New Malin Makes a Statement With Bold, Graphic Language
Roísín Lafferty's design for The Malin South Gulch opening in Nashville, Tennessee, is a wonderland of graphic forms and supersaturated hues.
a room with two wooden cabinets and marble counter tops
The New Malin Makes a Statement With Bold, Graphic Language
Roísín Lafferty's design for The Malin South Gulch opening in Nashville, Tennessee, is a wonderland of graphic forms and supersaturated hues.
a restaurant with tables and booths, mirrors on the wall
The New Malin Makes a Statement With Bold, Graphic Language
Roísín Lafferty's design for The Malin South Gulch opening in Nashville, Tennessee, is a wonderland of graphic forms and supersaturated hues.
a dining room with tables and chairs in front of large windows
The New Malin Makes a Statement With Bold, Graphic Language
Roísín Lafferty's design for The Malin South Gulch opening in Nashville, Tennessee, is a wonderland of graphic forms and supersaturated hues.
a room with two couches, tables and vases on the wall behind them
The New Malin Makes a Statement With Bold, Graphic Language
Roísín Lafferty's design for The Malin South Gulch opening in Nashville, Tennessee, is a wonderland of graphic forms and supersaturated hues.
a green and white striped couch sitting next to a black table with four chairs around it
The New Malin Makes a Statement With Bold, Graphic Language
Roísín Lafferty's design for The Malin South Gulch opening in Nashville, Tennessee, is a wonderland of graphic forms and supersaturated hues.
a kitchen with green cabinets and orange stools
The New Malin Makes a Statement With Bold, Graphic Language
Roísín Lafferty's design for The Malin South Gulch opening in Nashville, Tennessee, is a wonderland of graphic forms and supersaturated hues.
a living room filled with furniture next to a window covered in lots of green plants
The New Malin Makes a Statement With Bold, Graphic Language
Roísín Lafferty's design for The Malin South Gulch opening in Nashville, Tennessee, is a wonderland of graphic forms and supersaturated hues.
a room with striped walls and two lamps on the table in front of an oval mirror
The New Malin Makes a Statement With Bold, Graphic Language
Roísín Lafferty's design for The Malin South Gulch opening in Nashville, Tennessee, is a wonderland of graphic forms and supersaturated hues.
three stools are lined up in front of a counter with a vase on it
The New Malin Makes a Statement With Bold, Graphic Language
Roísín Lafferty's design for The Malin South Gulch opening in Nashville, Tennessee, is a wonderland of graphic forms and supersaturated hues.